track | song composer min.:sec.
01 | Prelude #12, Well-tempered Clavier, Book II J.S. Bach 3:54
02 | Les Bérgeries, from _Little music book for Anna Magdalena Bach Francois Couperin 3:17
03 | Sonata K. 352 Domenico Scarlatti 3:08
04 | Aria (Goldberg Variations) J.S. Bach 5:02
05 | Goldberg Variation #1 J.S. Bach 2:22
06 | Polonaise (French Suite VI) J.S. Bach 1:59
07 | Goldberg Variation #8 J.S. Bach 2:37
08 | Goldberg Variation #7 J.S. Bach 2:33
09 | Allegro (from Sonata for Klavier W. 65_31) C.P.E. Bach 5:05
10 | Prelude BWV 999 (originally for lute) J.S. Bach 2:29
11 | Gavotte (French Suite III) J.S. Bach 1:38
12 | Sonatas K.38 & K. 40 Domenico Scarlatti 3:15
13 | Little Prelude, BWV 938 J.S. Bach 1:49
14 | Prelude #6, Well-tempered Clavier, Book II J.S. Bach 2:30
15 | Lord Chamberlaine's Galliard John Dowland 3:33
16 | Can She Excuse? John Dowland 2:34
Archguitar Duo II • Archguitar Duo
Goldberg Variations, Dowland & more
Click on the song titles to hear excerpts from this CD

Bach's Goldberg Variations are among the highest achievements of the greatest musical mind in history. Unfortunately for guitarists, these pieces elude transcription for conventional six-string instruments. They sound as naturally as if they were composed for two archguitars in the hands of Blanchette & Michelini.

There are several of the Goldbergs on this CD as well as some exciting Well-Tempered Clavier Preludes. Also, there are harpsichord Sonatas of Domenico Scarlatti and C.P.E. Bach, and lute pieces by John Dowland. It was recorded with two vintage Neumann U-67 tube microphones resulting in what some listeners have called the warmest recorded guitar sounds since the Segovia recordings of the 1950's.

Right: A page from J.S. Bach's The Well-Tempered Clavier.