| track | song | composer | min.:sec. |
| 01 | Prelude #12, Well-tempered Clavier, Book II | J.S. Bach | 3:54 |
| 02 | Les Bérgeries, from _Little music book for Anna Magdalena Bach | Francois Couperin | 3:17 |
| 03 | Sonata K. 352 | Domenico Scarlatti | 3:08 |
| 04 | Aria (Goldberg Variations) | J.S. Bach | 5:02 |
| 05 | Goldberg Variation #1 | J.S. Bach | 2:22 |
| 06 | Polonaise (French Suite VI) | J.S. Bach | 1:59 |
| 07 | Goldberg Variation #8 | J.S. Bach | 2:37 |
| 08 | Goldberg Variation #7 | J.S. Bach | 2:33 |
| 09 | Allegro (from Sonata for Klavier W. 65_31) | C.P.E. Bach | 5:05 |
| 10 | Prelude BWV 999 (originally for lute) | J.S. Bach | 2:29 |
| 11 | Gavotte (French Suite III) | J.S. Bach | 1:38 |
| 12 | Sonatas K.38 & K. 40 | Domenico Scarlatti | 3:15 |
| 13 | Little Prelude, BWV 938 | J.S. Bach | 1:49 |
| 14 | Prelude #6, Well-tempered Clavier, Book II | J.S. Bach | 2:30 |
| 15 | Lord Chamberlaine's Galliard | John Dowland | 3:33 |
| 16 | Can She Excuse? | John Dowland | 2:34 |

Bach's Goldberg Variations are among the highest achievements of the greatest musical mind in history. Unfortunately for guitarists, these pieces elude transcription for conventional six-string instruments. They sound as naturally as if they were composed for two archguitars in the hands of Blanchette & Michelini.
There are several of the Goldbergs on this CD as well as some exciting Well-Tempered Clavier Preludes. Also, there are harpsichord Sonatas of Domenico Scarlatti and C.P.E. Bach, and lute pieces by John Dowland. It was recorded with two vintage Neumann U-67 tube microphones resulting in what some listeners have called the warmest recorded guitar sounds since the Segovia recordings of the 1950's.
Right: A page from J.S. Bach's The Well-Tempered Clavier.
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